Archive for November, 2007

Something In The Water?

Is it just me, or are there three Regency Spy Historicals to be released next year whose plots hinge upon the heroine rescuing the hero from prison?

Take a look and draw your own conclusions…

POP Explosive Traitor's Kiss

Edited to add: Connie Mason’s latest release has her heroine rescuing the hero from prison…uncanny!

Edited again: Joanna Bourne’s January ST debut, The Spymaster’s Lady, features a similar predicament.


3 comments November 30, 2007

A Tale of Two Missing Persons

Latasha Norman  missing-girl.jpg

The bodies of both young women have been found, but once again, the disappearance of the young black woman was ignored for the more palatable and marketable story of a missing white woman. What I do find interesting is the lack of response to Miss Sander’s newly acquired job as an internet porn star. I theorize that if Latesha had led that “double life”, the old “Jezebel” and “Sapphire” stereotypes would have been pulled to insult and degrade her in order to find a “reason” for her kidnapping and subsequent murder.

What makes Latesha’s death even more tragic are the circumstances surrounding the untimely death of NFL star Sean Taylor. Both deaths were preceded by threats and warnings that the police didn’t investigate too seriously, and now, two lives have been cut short.

Regardless of the racial implications of the news coverage, it’s troubling that young, college age women are being kidnapped and murdered in droves.


3 comments November 29, 2007

Romance Statistics 2006

Romance Literature Statistics: Overview
Explore the results of Romance Writers of America’s market research study on romance reader demographics and the romance fiction industry. These statistics offer insights to help you share in this billion-dollar-a-year industry.

Romance Sales

* Romance fiction generated $1.37 billion in sales in 2006.
* Approximately 6,400 romance titles were released in 2006.

Market Share of Romance Fiction

* Romance fiction outsold every market category in 2006, with the exception of religion/inspirational.
* 26.4% of all books sold are romance.

Romance Market Share Compared to Other Genres
(source: Simba Information estimates)

* Romance fiction: $1.37 billion in estimated revenue for 2006
Religion/inspirational: $1.68 billion
Science fiction/fantasy: $495 million
Classic literary fiction: $448
Mystery: $422 million
Graphic novels: $128 million

* Of those who read books last year, one in five read romance novels. (AP-Ipsos Poll)

Romance Fiction Breakdown by Subgenre
(source: Romance Writers of America, 2006 Romance Releases)

* Category/series romance: 40 percent
* Historical romance: 17 percent
* Contemporary romance: 16 percent
* Paranormal romance: 9 percent
* Romantic suspense: 7 percent
* Inspirational romance: 6 percent
* Other (includes young adult, erotic romance, chick-lit, and women’s fiction): 5 percent

Romance Fiction in 2006
The overall decline in the publishing industry was not evident in romance fiction, as sales remained steady in 2006 with $1.37 billion in estimated revenue and approximately 6,400 new titles published. Romance fiction was a strong seller—overcome only by the religion/inspirational category.

* Romance: $1.37 billion
* Religion/inspirational: $1.68 billion
* Science fiction/fantasy: $495 million
* Classic literary fiction: $448 million
* Mystery: $422 million
* Graphic novels: $128 million

(as per Simba Information estimates)

With these revenue numbers, romance fiction was a 26.4 percent share of all market categories in 2006. What accounts for the strong sales? Variety. Consumers of romance read it how, when, and where they wish. Readers have proven to be consumers of romance in a variety of formats, from traditional to digital.

Readers who want to listen to a romance in the car, bus, or train on the commute to work can purchase an audiobook on CD or download it onto an MP3 player. While audiobook sales as a whole were down 11.7 percent in 2006, Brilliance Audio increased its revenue with “the gain driven by continued success with suspense and romance audiobooks” (Agostino 2007, 12). Similarly, Audible’s revenue was up 20 percent, and Director of Communications Jonathan Korzen “said that romance…titles have done especially well” (Agostino 2007, 13).

Romance titles have “done especially well” in the electronic book format, too. According to the New York Times, “As the readers and the devices become more common, e-book publishers are noticing a shift in tastes.The early best-seller lists were dominated by science fiction novels and other titles favored by men….But lately, the lists are led by romance and women’s fiction”(Wayner 2007). The International Digital Publishing Forum (IDF) reported sales of trade e-books for 2006 at around $24 million, which is double the amount of sales for 2005. In what could be a breakthrough for the industry, the IDPF voted on an official e-book standard. “The IDPF adoption of OPS 2.0 along with the ‘.epub’ file format that goes with it…means that publishers can now create one digital book file instead of the 6 to 10 formats previously required” (Reid 2007). With the new e-book file format, debut of the Sony Reader, and new software from eBook Technologies, Mobipocket, eReader.com and others, sales will continue to rise.

Romance fiction sales should continue to benefit from these technologies, as new (and existing) readers embrace audiobook and e-book romance titles in addition to traditional print books.
The Readers

So, who are the readers? According to an Associated Press–Ipsos poll, among those who said they read books in the past year:

* One in five read romance novels,
* People from the South read slightly more, mostly religious books and romance novels,
* More women than men read every major category of books,
* Women read nine books per year, while men read five.

Best-Selling Authors and Publishers
The best-seller lists were awash with romance novels in 2006, as “there were 304 editions of 288 romance titles on the best-seller lists, up 24 percent over 2005, and the strongest level in five years” (Agostino 2007, 192). One hundred sixty-one authors, representing fifty-seven imprints, made the lists, with the top spaces going to Nora Roberts, Sandra Brown, Catherine Coulter, Debbie Macomber, and Jayne Anne Krentz. The leading romance subgenres were suspense, history, and fantasy.

Who sold the most romance fiction? The top five romance book publishers of 2006 (as per Simba Information estimates) were:

1. Harlequin ($418 million)
2. Random House ($81 million)
3. Penguin Group ($71 million)
4. HarperCollins (64.8 million)
5. Kensington ($37 million)

The solid sales for romance publishers may be attributed to the increasing popularity of niche markets/subgenres such as erotic romance and paranormal romance, innovative partnerships, on-line marketing, and contests. Major New York publishers recognized the popularity of erotic romance and, in 2006, released their first erotic romances through imprints such as Aphrodisia, Avon Red, Spice, and Berkley Heat.

Harlequin signed a licensing agreement with NASCAR to publish women’s fiction titles in an effort to reach the approximately 30 million female NASCAR fans.

Avon sponsored a FanLit contest where the readers and writers collaborated on a novella, which was published as the e-book These Wicked Games.

The willingness of publishers to explore new avenues within romance fiction is good news for the future of the industry.
2007 Estimates

Sales of romance fiction are predicted to hold steady for 2007, with $1.375 billion in projected revenue. Overall, the U.S. trade book sales are expected to rise 2.6 percent in 2007, thanks to a new Harry Potter novel, to $6.47 billion. The popularity of romance audiobooks and e-books, publisher involvement in on-line communities and contests, and the expansion of subgenres spell a strong future for romance fiction.

Romance Literature Statistics: Readership Statistics
Number of Romance Readers
64.6 million Americans read at least one romance novel in the past year.
2002: 51.1 million readers in America
1998: 41 million readers in America

Geography of Romance Readers
29% of the Southern population reads romance
27% of the Western population reads romance
26% of the Midwest population reads romance
12.6% of the Northeast population reads romance

Gender of Romance Readers
78% of romance readers are female
22% of romance readers are male (a significant increase from the 2002 survey that showed only 7% of readers were male.)

Marital Status of Romance Readers
50% of romance readers are married
37 % of romance readers are single
8% of romance readers are widowed
4% of romance readers are divorced
1% of romance readers are separated

Age of Romance Readers
22% are between the ages of 35-44
19% are between the ages of 25-34
18% are between the ages of 45-54
11% are between the ages of 55-64
9% are between the ages of 18-24
8% are 75 and older
6% are between the ages of 14-17
6% are between the ages of 65-74
1% are 13 or younger

Education Level of Romance Readers
42% have a bachelor’s degree or higher …
27% have college degrees
15% have post-graduate work or degrees
7% have associate degrees
17% have attended a trade school or have some college
23% have high school diplomas

Number of Romance Novels Read By Romance Readers in the Past Year
54% have read between 1 and 5 books
17% have read between 6 and 10 books
14% have read between 11 and 20 books
8% have read between 21 and 50 books
2% have read between 51 and 100 books

How Romance Readers Obtained the Last Romance Novel They Read
36 % bought their book new
25% checked their book out from a library
16% borrowed their book from a friend
13% received their book as a gift
5% bought their book used
4% got their book in other ways
1% traded another book for a new book

The Percentage of Romance Novels That Are Bought New
54% buy 20% or fewer books new
32% don’t buy any new books
15% always buy new books

Where Readers Purchased Their Books
Mass merchandisers such as Target or Wal-Mart have become the most popular place for readers to buy their books.

31% bought their books from a mass merchandiser
22% bought their books from a mall bookstore
16% bought their books from a free-standing bookstore
8% bought their books from a mail order
6% bought their books from another outlet
5% bought their books from a book club
5% bought their books from a grocery store
4% bought their books from the internet
2% bought their books from an airport bookstore
1% bought their books from a drug store

Settings or Subgenres Romance Readers Enjoy
Romance readers ranked the following setting or plot elements for romance novels in order of most enjoyable:

1) Mystery, Thriller, Action plots preferred by 48% of readers
2) Exotic Settings preferred by 36% of readers
3) Contemporary themes preferred by 33% of readers
4) Inspirational romances with a spiritual sub-plot preferred by 31% of readers
5) Colonial American settings preferred by 27% of readers
6) American West settings preferred by 25 % of readers
7) Historical romance set in England preferred by 24% of readers 8) Scottish-set historical romances preferred by 21% of readers
9) Medieval set romances preferred by 21% of readers
10) Paranormal romances preferred by 18% of readers
11) Futuristic romance preferred by 14% of readers

Types of Covers Preferred By Readers
53% of readers prefer covers that are either abstract or romantic
35% of readers prefer sedate and abstract covers
12% of readers prefer romantic covers

Source: RWA National


1 comment November 17, 2007

Romance Statistics 2005

INDUSTRY STATISTICS

Romance Sales

Romance fiction generated $1.2 billion in sales in 2004.

2,285 romance titles were released in 2004.
Market Share of Romance Fiction

54.9% of paperback sales in 2004 were romance fiction—which is almost half of all paperback fiction sold.

39.3% of all fiction sold is romance.

Romance Market Share Compared to Other Genres

39.3% Romance

29.6% Mystery/Thriller

12.9% General Fiction

11.8% Other Fiction Sales

6.4% Science Fiction Sales

Romance Fiction Dormats

8.3% of hardcover fiction was romance.

10.5% of trade paperback fiction was romance.

54.9% of paperback fiction was romance.

Romance Fiction Breakdown by Sub Genre

1,468 Contemporaries

477 Historicals

167 Inspirationals

173 Paranormals

2,285 Total Titles

READER STATISTICS

Number of Romance Readers

64.6 million Americans read at least one romance novel in the past year.

2002: 51.1 million readers in America

1998: 41 million readers in America

Geography of Romance Readers

29% of the Southern population reads romance

27% of the Western population reads romance

26% of the Midwest population reads romance

12.6% of the Northeast population reads romance

Gender of Romance Readers

78% of romance readers are female

22% of romance readers are male (a significant increase from the 2002 survey that showed only 7% of readers were male.)

Martial Status of Romance Readers

50% of romance readers are married

37 % of romance readers are single

8% of romance readers are widowed

4% of romance readers are divorced

1% of romance readers are separated

Age of Romance Readers

22% are between the ages of 35-44

19% are between the ages of 25-34

18% are between the ages of 45-54

11% are between the ages of 55-64

9% are between the ages of 18-24

8% are 75 and older

6% are between the ages of 14-17

6% are between the ages of 65-74

1% are 13 or younger

Education Level of Romance Readers

42% have a bachelor’s degree or higher …

27% have college degrees

15% have post-graduate work or degrees

7% have associate degrees

17% have attended a trade school or have some college

23% have high school diplomas

Number of Romance Novels Read By Romance Readers in the Past Year

54% have read between 1 and 5 books

17% have read between 6 and 10 books

14% have read between 11 and 20 books

8% have read between 21 and 50 books

2% have read between 51 and 100 books

How Romance Readers Obtained the Last Romance Novel They Read

36 % bought their book new

25% checked their book out from a library

16% borrowed their book from a friend

13% received their book as a gift

5% bought their book used

4% got their book in other ways

1% traded another book for a new book

The Percentage of Romance Novels That Are Bought New

54% buy 20% or fewer books new

32% don’t buy any new books

15% always buy new books

Where Readers Purchased Their Books

Mass merchandisers such as Target or Wal-Mart have become the most popular place for readers to buy their books.

31% bought their books from a mass merchandiser

22% bought their books from a mall bookstore

16% bought their books from a free-standing bookstore

8% bought their books from a mail order

6% bought their books from another outlet

5% bought their books from a book club

5% bought their books from a grocery store

4% bought their books from the internet

2% bought their books from an airport bookstore

1% bought their books from a drug store

Settings or Sub-Genres Romance Readers Enjoy

Romance readers ranked the following setting or plot elements for romance novels in order of most enjoyable:

1) Mystery, Thriller, Action plots preferred by 48% of readers

2) Exotic Settings preferred by 36% of readers.

3) Contemporary themes preferred by 33% of readers.

4) Inspirational romances with a spiritual sub-plot preferred by 31% of readers.

5) Colonial American settings preferred by 27% of readers.

6) American West settings preferred by 25 % of readers.

7) Historical romance set in England preferred by 24% of readers. 8) Scottish-set historical romances preferred by 21% of readers

9) Medieval set romances preferred by 21% of readers.

10) Paranormal romances preferred by 18% of readers

11) Futuristic romance preferred by 14% of readers.

Types of Covers Preferred By Readers

53% of readers prefer covers that are either abstract or romantic

35% of readers prefer sedate and abstract covers.

12% of readers prefer romantic covers.

GROWING THE MARKET — FUTURE ROMANCE

65% of non-romance readers have read one romance novel in the past.

Of these non-readers, three out of ten people might read a romance in the coming year.

Readers from 18-34 are more likely to read a romance than other age groups.

RWA’s statistics are the result of two studies commissioned by the association. One study, on the sales of romance fiction, is tabulated by mathematician Olivia Hall, who draws data from mass-market book distributors’ yearly release information; from figures released by the American Bookseller Association; and from reports by Ipsos-NPD reports, an independent market research firm that studies book trends. This study is updated yearly. Another study focuses on reader demographics, book content, and book-buying habits. It is conducted via telephone survey and in-person focus groups by Corona Research, a market research firm in Denver, Colorado.

Source: RWA Story for You 


Add comment November 17, 2007

Romance Statistics 2004

2004

I. Industry Statistics

(As of October 2003)

These statistics were compiled by RWA from Book Industry Study Group and American Bookseller Association reports, and from tallies in Ingram�s catalogue of all book releases.

  • Romance generated $1.63 billion in sales in 2002.
  • There were 2,169 romance titles released in 2002.
  • Romance fiction comprises 18% of all books sold (not including children�s books).
  • Romance fiction comprises 53.3% of all popular paperback fiction sold in North America.
  • Romance fiction comprises 34.6% of all popular fiction sold. (Different from above, this figure includes not just paperbacks, but hardcovers and trade-sized paperbacks as well as well.)

To compare:

  • Mystery/Detective/Suspense is 23.1% of popular fiction sales
  • General Fiction is 24.1% of popular fiction sales
  • Science Fiction/Fantasy is 6.5% of popular fiction sales
  • Religious, occult, westerns, male adventure, general history, adult and movie tie-ins was 11.9.% of popular fiction sales

Publisher Release Rates

listed in alphabetical order:

Publisher 2002 2001 2000
Avalon 32 33 36
*Avon/HarperCollins 104 100 108
Bertlesmann
(Ballantine, Bantam, Dell, Delacorte, Doubleday, Fawcett, Ivy, Waterbrook)
110 107 139
BET 62 60 59
Bethany 19 21 10
Dorchester 113 111 116
Kensington (Kensington, Pinnacle, Bouquet, Precious Gems, Zebra) 219 204 274
Pearson
(Berkley, NAL, Dutton, Jove, Onyx, Putnam, Signet, Topaz, Viking)
153 138 161
Pocket 46 56 57
Questar Multnomah <20 13 NA
St. Martin’s 49 54 30
Torstar
(Harlequin, Mills & Boon, MIRA, Silhouette, Steeple Hill)
1,113 1,067 982
Warner 23 25 15

Other houses published one-to-nine romance titles, such as Genesis Press/Indigo, Tor/Forge, Five Star.

*Avon Books and Harper Publishing merged in 2000

II. Writer Statistics

–compiled from RWA member information

  • Romance Writers of America has 8,800 members from around the world –primarily the United States and Canada.
  • 1,600 RWA members are published in book-length romance. Almost every author in the United States who is writing romance fiction is a member of our association.
  • On average, a published romance author writes 1 1/2 romance manuscripts per year. On average, one romance per author is released per year.
Payment:

  • In general, romance fiction is bought from an author by a publisher (sometimes through an agent) via a contract. The contract almost always involves a cash advance, and then a royalty pay-out.
  • Romance authors have worked as attorneys, teachers, scientists, accountants and any number of other professions before resigning to write romance fiction. Many authors still maintain a day job in another field while writing romance.

III. Reader Statistics

NUMBER OF ROMANCE READERS

51.1 million Americans read romance novels; this is up by ten million readers since RWA’s 1998 study, when results reported 41 million readers . . . .

2002: 51.1 million readers in America

1998: 41 million readers in America

FORMAT of ROMANCES READ

The number of readers who only read series romance jumped from 10% to 18% from 1998 to 2002 . . . .

37% of romance readers read only single-title romances
(43% of romance readers read only single titles in 199 8)

45% of romance readers read single-title and series romances
(47% of romance readers read both series and single titles in 199 8)

18% of romance readers read only series romance
(only 10% of romance readers read only series in 199 8)

A series romance is a shorter paperback romance novel that is released as part of a numbered series and typically published by Harlequin/Silhouette, the largest publisher of series romance. A number indicating the place each book lands in the series appears on the cover of each series book. Series romances are released in numbered order, and shelved monthly like a periodical with the previous month’s titles being replaced by the next month’s titles every several weeks.

A single-title romance is a longer romance not released as part of a series. It is packaged and shelved like any mass-market paperback or hardback fiction book.

GEOGRAPHY OF ROMANCE READING

A small majority of romance readers live in the Midwest . . . .

32% of the reading population in the Midwest reads romance
fiction (17.6 million readers)

26% of the reading population in the West read romance fiction
(13.2 million readers)

20% of the reading population in the South reads romance fiction
(16.8 million readers)

16% of the reading population in the Northeast reads romance
fiction (7.4 million readers)

GENDER OF ROMANCE READERS

The readership of romance fiction is primarily female . . . .

93% of all romance readers are women One in five women have read a
romance novel in 2002

7% of romance readers are men One in 50 men have read a romance
novel in 2002

In the 1998 study, 91% of romance readers were female, and 9% of romance
readers were male.

MARITAL STATUS OF ROMANCE READERS

Half of all romance readers are married . . . .

49.5% of romance readers are married
(56% in 199 8)

33.3% of romance readers are single
(23% in 199 8)

10.7% of romance readers are divorced
(7% in 199 8)

6% of romance readers are widowed
(13% in 199 8)

0.5% of romance readers are separated
(1% in 199 8)

AGE OF ROMANCE READERS Romance readers are all ages, with the highest percentage of readers being around 39 years old . . . .

25% of romance readers are between the ages of 35-44

21% of romance readers are between the ages of 25-34

17% of romance readers are between the ages of 45-54

10% of romance readers are between the ages of 55-64

8% of romance readers are between the ages of 20-24

8% of romance readers are between the ages of 65-74

4% of romance readers are between the ages of 17-19

3% of romance readers are between the ages of 14-16

3% of romance readers are between the ages of 75-plus

1% of romance readers are between the ages of under 14

Romance readers appear to be reading younger . . . .

In the 1998 study, the 35-44 age group also led, but the second-most-likely and
third-most-likely age groups reading romance were reversed. Readers aged 45
to 34 were the second-most-likely readers in 1998, and followed by 25- to
34-year-old readers.

AGE ROMANCE READERS FIRST READ ROMANCE

Seventy-one percent (71%) of romance readers say they read their first romance at age 16 or younger.

EDUCATION LEVEL OF ROMANCE READERS

Sixty-three percent (63%) of romance readers have attended college . . . .

32% of romance readers are high-school graduates

22% of romance readers have attended vocational school or
some college

21% of romance readers are college graduates

10% of romance readers have attended post-graduate
programs

10% of romance readers have associates degrees

5% of romance readers have some high school or less

RACE OF ROMANCE READERS

Romance readers are 75% white . . .

75% of romance readers are White

11% of romance readers are African American

11% of romance readers are Hispanic

2.5% of romance readers are Asian or Native American

0.5% of romance readers classify their race as Other

The number of Hispanic romance readers continues to grow . . . .

In 1998 12% of romance readers were African American, and 9% of romance readers were Hispanic.

HOW ROMANCE READERS OBTAIN NOVELS

Forty-four percent (44%) of romance novels are bought at bookstores that sell only new books and merchandise . . . .

44% of romance readers buy their novels at bookstores that only sell new
books and merchandise

18% of romance readers borrow their novels from others

14% of romance readers check out their novels from a library

13% of romance readers buy their novels at stores that sell
new-and-used
books

8% of romance readers receive their novels as gifts

3% of romance readers trade other books for their novels

RETAIL OUTLETS WHERE ROMANCE READERS SHOP

One-third (33%) of romance readers buy their novels at a mall bookstore . . . .

Mall bookstores are the sites of 33% of romance reader book purchases.

Mass merchandisers (such as Target or Wal-Mart) are the sites of 20% of
romance reader book purchases.

Grocery stores are the sites of 18% of romance reader book purchases.

Book clubs are the way 9% of romance readers buy books.

Streetfront or stand-alone bookstores (such as Barnes & Noble) are the sites of
7% of romance reader book purchases.

Internet bookstores are the sites of 4% of romance readers book purchases.

Mail ordering is the method by which 3% of romance readers buy their novels.

Airport bookshops are the sites of 2% of romance reader book purchases.

Drugstores are the sites of 2% of romance reader book purchases.

Other outlets are the sites of the final 2% of romance reader book purchases.

FACTORS ROMANCE READERS CONSIDER WHEN BOOK SHOPPING

These shopping factors were ranked in order of importance by romance readers:

Most important: selection of books
2nd most important: overall convenience of/in bookstore
3rd most important: price
4th most important: help or recommendations from bookstore staff

QUANTITY OF NOVELS READ YEARLY BY ROMANCE READERS

Fifty-seven percent (57%) of romance readers read between one and five romances per year.

Reading between one and five romances each year: 57% of readers
Reading between six and ten romances each year: 17% of readers
Reading between 21-50 romances per year: 12% of readers
Reading between 11-20 romances per year: 8% of readers
Reading between 51-100 romances per year: 4% of readers
Reading more than 100 romances per year: 2% of readers
OTHER MERCHANDISE BOUGHT BY ROMANCE READERS WHILE BOOK SHOPPING

Eighty percent (80%) of book buyers buy other bookstore merchandise when they�re in-store buying romance novels.

Other fiction is bought by 66% of romance readers when they’re in a bookstore
buying romance.

Nonfiction books are bought by 47% of romance readers when they’re in a
bookstore buying romance.

Magazines are bought by 40% of romance readers when they’re in a bookstore
buying romance.

Stationary or greeting cards are bought by 39% of romance readers when
they’re in a bookstore buying romance.

Children’s books are bought by 27% of romance readers when they’re in a
bookstore buying romance.

Novelty book items are bought by 22% of romance readers when they’re in a
bookstore buying romance.

Software is bought by 17% of romance readers when they’re in a bookstore
buying romance.

Coffee or cafe items are bought by 15% of romance readers when they’re in a
bookstore buying romance.

ROMANCE READERS’ MOTIVATION FOR NOVEL SHOPPING

Two out of every three romance readers do not plan to buy a romance novel when they enter a retail outlet, and instead add novels to their purchase as they see them on display.

SELLING POINTS ROMANCE READERS CONSIDER WHEN SELECTING A NOVEL

A description of the book on the back cover is the most important selling point in deciding which book to buy . . . .

Most important selling point when considering which book to buy: description
on back cover

2nd most important selling point: personal flip through the book

3rd most important selling point: word-of-mouth recommendation

4th most important selling point: author

5th most important selling point: price

Between 9% and 11% of romance readers reported that each of the following selling points advertising for a book, awards won by a book, or staff recommendations for a book — influenced their decision to buy.

CHARACTER TRAITS ROMANCE READERS ENJOY IN HEROINES

The top three character traits that romance readers like to see in the heroines about which they read are (in order):

1.) Intelligence
2.) Strength of character
3.) Attractiveness

In 1998, readers ranked favorite heroine characteristics as:

1.) Intelligence
2.) Beauty
3.) Strength of character

CHARACTER TRAITS ROMANCE READERS ENJOY IN HEROES

The top three character traits that romance readers like to see in the heroes about which they read are (in order):

1.) Muscle bound
2.) Handsomeness
3.) Intelligence

In 1998, readers ranked favorite hero characteristics as:

1.) Handsomeness
2.) Kindness
3.) Intelligence

SETTINGS OR SUB-GENRES ROMANCE READERS ENJOY IN BOOKS

Romance readers rank the following settings for romance novels in order of most enjoyable to least interesting (in order):

1.) Romantic suspense (91% of readers interested)

2.) Contemporary romance (80% of readers interested)

3.) Romance novels set in exotic locations, such as the tropics (78% of readers
interested)

4.) Historical romance set in Colonial America (65% of readers interested)

5.) Historical romance set in the American West (64% of readers interested)

6.) Inspirational romance with a spiritual sub-plot (61% of readers interested)

7.) Historicals set in England (56% of readers interested)

8.) Historicals set in Scotland (53% of readers interested)

9.) Medieval-set romances (49% of readers interested)

10.) Futuristic or time-travel romances (39% of readers interested)

11.) Paranormal romances (37% of readers interested)

ROMANCE READERS’ OPINIONS ON WOMEN’S FICTION

44% of romance readers like both romance novels and women’s fiction novels
equally

31% of romance readers said they currently prefer women’s fiction

25% of romance readers said they currently prefer romance fiction

Note: A romance novel is a book in which a love story is the central focus of the book, and that has an emotionally satisfying ending that results from a positive resolution to the central love story.

A women’s fiction novel focuses on relationships– but not necessarily that of a love-story relationships. It may center on, for example, family relationships, or friendships, or a love relationship–or all three. A women’s fiction novel does not have to have an emotionally satisfying ending resulting from of a positive resolution to a central love story. It may have a happy ending based on events unrelated to a love story, a bittersweet ending, or even a tragic ending.

Source: RWA’s Story For You


Add comment November 17, 2007

Previous Posts


Calendar

November 2007
S M T W T F S
« Oct   Dec »
 123
45678910
11121314151617
18192021222324
252627282930  

Recent Posts

Culture In Romance

Pages

Links

Archives